On December 22nd, the 4th National Congress of Chinese Opera Performance Association and the 1st Chinese Opera Performance Art hosted by the Chinese Opera Performance Society and the People's Government of Yixiu District of Anqing and organized by Digital World (Beijing) Technology & Culture Co., Ltd. The VR Industry Summit Forum was held in Anqing, and VR Network () as a specially invited media participated in the forum.
The forum focused on the topic of contemporary integration of traditional opera performing arts and modern science and technology and interactive interaction with virtual reality VR new industries to promote the creative transformation and innovative development of Chinese opera performance arts, broadening the application fields of modern science and technology and the way forward .
Dr. Zhao Jingfa, an adviser to the Chinese Traditional Opera Performance Society and former director of the Beijing-Kunming Chamber of the CPPCC National Committee, delivered a speech in the forum. The content is as follows:
The 19th National Party Congress opened a new era and a new era. The development of traditional opera art has also entered a new era. The performance of traditional opera performances is rhythm and technique, which reflects the role of humanistic creativity and creativity in the development of traditional opera. From the inner feelings to form a performance and the actor to achieve an image, this is an important channel for opera, and it is also a prerequisite for the establishment of a performance.
The eyes are dominant in the performing arts of the opera, and people often say that “the art of one is in the face, and the art in one face is in the eyeâ€. Mei Hao once said that the actors would stare at the fragrant head until the incense is blown out. Perseverance exercises can play a sublimating role in the opera and stage performances, but in fact the present actors no longer practice this way. Therefore, I hope that the old artist's experience with traditional laws will be inherited by future generations.
Chinese opera performance art is rich in diversity. For example, Tang Minghuang, the cornerstone of Changsheng Palace, plays a different role in Kunqu Opera and Beijing Opera. During the performance of Mei Lanfang’s US visit to the Soviet Union from 1930 to 1935, both American and Soviet audiences showed great interest in their gestures, and many of the words of praise were also praised for their hands. We all know that Mr. Mei Lanfang has developed a rich set of performance techniques and innovative expressions. There are as many as 53 finger gestures. This shows that the richness of opera performances is high.
The use of decorative props is also a manifestation of the professional performance of inspections. In the past, in the reporting work of local team members from various provinces and cities, there were some young actors wearing decorations even on the stage, but their teachers and brothers Corrected, and the actor does not pay attention to the modification will have a major impact on the performance. Therefore, the charm of the performing arts and the traditional operation methods should be further excavated and cannot be lost.
The focus of the development of traditional opera performance is the cultivation of talents. There must be people's pursuit and carrying of the spirit in talent training. With regard to the training of talents in literature and art, the report of the 19th National Congress also pointed out: To strengthen the construction of literary and talented people, to create masters and masters of the arts and crafts, and to cultivate a large number of creative talents. The most precious of the opera art is not only the gong gong, but more importantly, the artistic thoughts and spiritual characters that have been circulated from generation to generation. As a drama, it is actually propagating humanistic education and encouraging people.
For the combination of Chinese opera art and VR technology, my understanding is: The virtual of the opera gives the imagination, and the virtual of the VR gives the intuitive. VR technology is a computer simulation system that creates and experiences virtual worlds. It is a three-dimensional fusion dynamic of multi-information fusion and convergence, allowing users to immerse themselves in it. It is an extension of multimedia technology. I have recorded in previous cultural creativity seminars: I have used multimedia technology to enrich Peking Opera art, stereoscopically present drama, use 3D animation, surround sound and other high-tech techniques to carry out new packaging, and adopt young and young people Appreciate the general public and admiration. The VR industry can be integrated into the traditional opera culture, and the combination of the two can enrich the display of content and play a role of icing on the cake. The drama + VR puts forward new topics, new ideas, and new opportunities for the new era artists and actors.
The VR Network learned that this conference included leaders from the Ministry of Culture, Anqing City, Yixiu District, and Tsinghua University, who attended the event. Wang Xuan, President of Digital World, He Yimin, CEO of Digital World, and CEO of VR Virtual Reality Liu Yong, Founder of Qing Hitomi Vision Zuo Houchao, Deputy Director of the New Media Department of China Intercontinental Communication Center Xiang Yi, Li Hongxin, General Manager of Beijing Disheng Digital, Xie Haifeng, CEO of Blockboard Chuangyi Technology, and Zhang Wulong, Director of Beijing Huijing Technology Market, etc. Reality industry big coffee came to the scene. In addition, more than 50 authoritative experts in the theatrical profession participated in the conference and recorded the drama +VR in the future. The 14 opera masters also gathered in Anqing to perform a special performance by Hui Min. They did not forget the beginning of the heart and played in the people.
More reports on the first Chinese opera performance art + VR industry summit forum, please continue to focus on VR network (WeChat public number: VR platform).
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